Follow the reluctant adventures in the life of a Welsh astrophysicist sent around the world for some reason, wherein I photograph potatoes and destroy galaxies in the name of science. And don't forget about my website,

Thursday 27 June 2013

Modelling Arecibo Observatory

Don't worry, that's "modelling Arecibo", not "modelling at Arecibo." This doesn't involve me posing in skimpy clothing in strange positions with the telescope in the background. That can be arranged, but my fee is very, very high. It does involve me in one or two weird positions and getting hot and sweaty, but for entirely legitimate reasons.

Anyway, it was bound to happen sooner or later. I can't very well work at one of the world's largest and most - dare I say it - iconic telescopes and not try to model it at some point, or I'd feel silly. Actually, I always had a long-term goal of modelling the entire site and making it into a Half-Life 2 level. It would make for a seriously perfect setting. It's got the massively complex industrial setting of the platform (with its perilous 140m drop), a road running by steep cliffs and dense jungle, and the whole complex is fenced off, making it a natural stand-alone level.

It's also got a couple of small office buildings with very narrow corridors that could become incredibly creepy at night. But best of all is the area underneath the dish, which is replete with small concrete towers (just large enough to hide behind), small wooden shacks, rusty old antennas and a large ditch that's half-full of water. The place practically screams FPS level.

Just add zombies.
Seriously, if anyone is au fait with making HL2 levels, do let me know.

But I digress. Right now there's a very specific goal (because my boss told me to) of modelling the telescope (not the accompanying buildings) and getting it laser-etched in glass. Established readers will recall that I had my thesis data etched in glass - this is very similar, except that while no-one else will want a huge chunk of glass full of blobs, they might very well be prepared to pay for a small chunk with a cute little model of the telescope inside. We'll see.

Modelling the whole site would be a formidable challenge, but even modelling just the telescope is tricky. The basic design is easy. The detail is ferociously complex.

Modelling even the basic structural layout of this is nearly impossible without extremely detailed data or, better yet, schematics. Fortunately I was lucky enough to be given some by my other boss. I probably shouldn't post these, but they're hugely detailed. It seems as though almost every joint is rendered from multiple angles. But once I had them, tracing the general structure became a lot easier.

These are not the official schematics, they're what I ended up with.
The real ones are much more detailed.
They also contain mistakes. By far the biggest is the reflector itself, which has been drawn assuming it was around 850ft across, because the artist assumed the 1000ft diameter was along the curvature of the dish, and not rim to rim as it is in reality (and yes, everything is measured in feet).

Since the dish is spherical (unlike most telescopes it's not a parabola) this was easy to correct. Other mistakes (probably not actually mistakes at all - the schematics appeared to date from the mid 90's, and things change) were more subtle. For instance, in one drawing the azimuth arm was shown as being slightly asymmetrical, with one end tapered and the other truncated. I checked some photos to see if this was the case, but quickly realised it was better to just go outside and have a look.

This was true for a lot of other details. The arrangement of cables was something I was particularly keen to get right. Trying to figure out exactly how the 18 support cables attach to the platform in 3 dimensions was nearly impossible from the schematics, so I went for a walk (actually several walks). The cables are attached to the three towers, with cables from each tower attaching to different parts of the triangle. So by far the easiest way to see where the cables go is to go and visit the towers.

I took these pictures on another day - to avoid generating RFI I drew
little schematics of my own.
Getting to the towers is not so easy. There's one at the visitor center, which involves a short but steep walk. To get to the others, you first have to go back down, then down the very steep walk to the dish, then up again another short but steep walk which is partly shady but also sheltered from the wind. Since the temperature is around 33C and the humidity 900,0000,000%, this is not so pleasant. Getting to the final tower involved crawling underneath a gate (I could have gone and got a key to open it, but meh). My way back was blocked by an impassable gate, so I went back the way I came and completed the 1km circuit of the dish, then back up the very steep hill and finally into my office.

This explains my boss' puzzled look when he found me sitting in my air-conditioned office drowning in my own sweat.

Some other details I got entirely from reference photographs because they're not on the schematics - the waveguide (which is about the size of an air vent and carries the signals from the telescope), the platform walkways, the fans on the side of the Gregorian dome... that kind of thing. These I had to do by guesswork, but the end result is at least a lot better than if they weren't included at all.

Surly-looking astronomers also aren't included on the schematics.
Then there's the terrain. This is intrinsic to the telescope; the natural sinkhole is one of the reasons it was built in Arecibo. It also means that one of the towers is a different height to the others, so getting it right is important.

Fortunately the USGS provides Digital Elevation Model data for the entire US, though only at 30m resolution for Puerto Rico. I converted this into a Blender-readable format by using 3DEM to convert it into a Terragen terrain and then Terragen to export it as a Lightwave object, which Blender can read. Convoluted, but also tried-and-tested. The 30m resolution is a real handicap though, and there was a lot of manual tweaking - the terrain in the immediate vicinity of the dish is largely fictitious.

Around the edge of the dish is the ground screen. The dish is fixed, but the instruments can be moved as much as 20 degrees from overhead by moving the receivers along the azimuth arm. At high angles, they start receiving signal from above the edge of the dish. The ground screen limits the damage this would do. That wasn't in the schematics, so I went for more walks and asked other staff members how tall it is and what angle it's at. I also simplified its structure somewhat so that hopefully it will be easily visible when etched in glass.

The support structures for the ground screen vary depending on how close it is to the cliff. Here, where the cliff is very close, the metal girders go into the cliff. In other places they're not quite so close, and join on to vertical concrete pillars. In a few places the cliff is very far way and they form tripod structures. Unfortunately the 30m terrain resolution is just nowhere near enough to attempt modelling this accurately, so I simplified everything and only modelled the tripod variant.

The business end of the telescope is the platform. Sure, the 305m reflector is great, but it's the 900 tonne structure hanging in the air that houses the instruments that actually collect the signal. In Goldeneye, Sean Beam famously falls off the 30m-long line feed before the whole thing explodes. Because the reflector is spherical, radio waves get focused to a line, not a point, so a line feed is a clever way to receive the signal (and yes, I did include the correct number of circular rings in the model, even though they'll never show up in glass).

An even cleverer way is to use two more reflectors to focus the waves to a point, which is what's done inside the Gregorian dome. The dome itself looks a lot like an icosphere, but unfortunately, it's subtly different. As you can see, I never figured out what the shape really is.

And that's about it for now. The model is with the etching company, but there's a bunch of stuff that could be done with this for education and outreach... even if my Half-Life 2 thing doesn't pan out. The telescope is a nice size - quite a bit bigger than the Colosseum and a heck of a lot bigger than any other (filled aperture) radio telescope. Size comparisons become a lot easier with a 3D model than trying to Photoshop everything, and are always a good way to impress people.

Right now, I'm working on a textured version for pretty renders. After that I'll make realtime version. Maybe we can have an online app where you can take a virtual tour of the site, and have all the moving parts in their correct, live positions. Or you could roam around the Observatory, looking for people causing RFI in the weirdest role-playing game ever :

You find someone talking on a mobile phone. Do you :
A) Ask them politely to stop.
B) Explain to them that we could detect their phone even if it was on Mars, so they're ruining someone's observations.
C) Tell them they're just a complete jerk.
D) Punch them in the face.

... or something like that. It may require a teensy-weensy bit of work to become the next Skyrim. Anyway, there's definitely tonnes of stuff to be done with this. Watch this space.


  1. Surly-looking, eh? You know, I have quite a lot of photos of you in less than flattering poses too, you know...

    1. I present without comment, unsurly.

    2. Blackmail, eh ? You'll probably win, since this is about the worst photo of you that I have...

      How are things in the far north of the world, anyway ?

    3. Things are great, Rhys. I miss Arecibo a lot but your blog has (humourously!) reminded me of the many things I don't regret leaving behind when I left Puerto Rico.

  2. what an interesting article. Thanks!

  3. You should rely make a thing were people can roam around the site

  4. Hi, Rhysy, please check -- I just wrote you there.

    Best, Peter |

  5. Hey Rhysy, could you please send me the model. I have blender and I would really appreciate it!

    1. In a blender readable format that'
      s easy to import.

  6. My email address is:

    1. Consider what you're asking for here. A model that took tens of hours to produce (and isn't even complete) that's been used for generating commercial products, and you, a complete stranger, without a word of introduction, just want to have it because reasons ? Sorry to sound harsh, but no. You wouldn't go up to a painter and ask them if you could "just have" the painting they're working on and don't even want to sell. You wouldn't just wander over to an author and ask them if they could please just give you their draft text if you'd never met them before.

      I really am sorry to be blunt, but I get these requests often enough to be annoyed by them. In the real world, no-one would dream of just asking like this. I may or may not release the finished model publically at some point, I haven't decided yet.

  7. Say Im with a lot of model building groups on face book Im a 3d artists since 3d graphics started and now I 3d print. Some of us are interested in making a 3d printed model for public display. I 3d print also. Basically Im wondering how we may get ahold of your 3d models. Depending on how faithfully we can reproduce it we would like to find a place to put it on display. Are these files accessible? There beautiful.

    1. In light of recent events I'm thinking of making it public but I haven't decided yet. There are still a couple of projects I would rather finish before releasing it.

  8. Hey there, I like the article, and would also request (especially in light of recent events) that you release the model for the public to play with. I'm learning Unreal Engine 4 and would love to create a realistic looking level to play around in. No commercial intentions, just a cool project.

  9. Beautiful work, now a reminder of an era...
    Hello, I am an architect from Puerto Rico. I came to your site as I was looking for dimensional information of the AO. I started doing a 3D model of the AO just after the first cable came loose and then the collapse happened! Your work has been very helpful in understanding the complexity and beauty of this instrument which has captivated us for a long time. Thanks!


Due to a small but consistent influx of spam, comments will now be checked before publishing. Only egregious spam/illegal/racist crap will be disapproved, everything else will be published.